Baroque Architecture Characteristics

baroque Architecture CharacteristicsIntroductionThe churrigueresque period took the humanist Roman view of Renaissance architecture and showed it in a sweet rhetorical, theatrical and sculptural fashion they expressed the triumph of absolutist perform and state. The main view of fancy architecture was more concerned most color, atonic and shade, sculptural values and intensity which could be encountern in its characteristics. churrigueresque is defined periods in lit date of referenceture as nearly as melody however critics perceived it to be unstructured, over ornamented, theatrical and grotesque. Although many things influenced the baroqueness period it was as well as influenced by religion as well as the countries politics. Architects were interested in the space of the unfolding universe as well as the workings of the mind and attempted to portray passions of the soul d maven facial expressions.FeaturesThe features of the baroque era showed long, narrow naves that were replaced by a broader, or occasionally with circular forms. It dis compete dramatic routine of light that could be all(prenominal) strong light-and-shade contrast (known as chiaroscuro)effects or they used uniform superbness by means of several windows. Another feature was opulent use of ornaments (puttos made of wood ( oft gilded), plaster or stucco, marble or phoney finishing), they used large-scale ceiling frescoes and Baroques external faade is often characterized by a dramatic central projection, however the interior is often no more than a shell for painting and work which was seen in the new Baroque period. Baroque features also include illusory effects equal trompe loeil and the blending of painting and architecture and in other countries such as Bavaria, Czech, Polish, and Ukrainian the Baroque style contained, pear domes that were are ubiquitous.CharacteristicsThe main characteristics for the Baroque era were energy, great amounts of tension and a sense of m ovement from the buildings. Its painting, sculpture and architecture evolved from mannerism and broke away from the rules of contemporary architecture, they demanded freedom to plan, sort of speech and decorate their buildings with what they wanted. Columns had twisted shafts which were placed in front of pilasters sur metered by cornices and covered with curved and broken pediments. They contained over the top and often contrary details with carved decoration. Interiors had gilded sculptures often in awkward poses the architecture was noted for its curved lines. Many of Baroques additions were finished in bronze, marble, metal(prenominal) and silver. Baroque had a dynamic look and feel to its anatomy it was a utilitarian classification for isolating the tendencies and products of stylistic change. It was seen as spacious, brilliant, theatrical, lusty, sensual, ecstatic, opulent, extravagant, versatile and virtuoso. It was an age of magnification following on an age of discov ery, its expansion led to still throw out discovery nigh architectural design and decoration.Section A InteriorsS.Maria Della dissemble happy (1631-1682)The interior of S.Maria Della Salute is a very faithful example of Baroque Architecture and design. It displays the Baroque essence in a way tho is not completely over ornamented nor does it contain any unsuitable details. marble is mainly used in the columns and the base appears to be gilded in bronze. Sculptures are carved from marble and stand high in the round of the dome. An altar post be seen and one might assume it is also gilded in bronze. It is an artwork in a way alone it is not over the top in any way which brush off be seen from this view point.S.Pietro (1656 1667)The S.Pietro is another great example of Baroque architecture and design. In this photo we can see the bronze altar that stands fair in front of the apse, we can see paintings that are modify with gold boarders, marble columns and high walls, the dom es contain gold ceilings. Walls are decorated with sculptures in free standing positions in the walls also made of marble. Light is granted through and through high standing windows and the main dome from above through a sky light.Versailles (1660 1685)The Palace of Versailles is the most well known fragment of Baroque Architecture and design known to date. It defines what the baroque period was about. It was extravagant, sensual, dynamic, passionate (paintings), versatile and opulent. Decorations were not silver only pure gold. Soft fabrics, bright colours and beautiful sculptures decorated the interiors of the Palace. In the Hall of Mirrors as seen in figure 8 sculptures themselves were cast in gold high windows offered light and glass chandeliers hung from a ceiling decorated in painting and gilded gold boarders. In the Queens Chambers as seen in figure 7 one can tell that not even the bedrooms were unbroken simple. Gold was also used and to an extent it was overly used. The focus of ones fondness is led to the gold decoration and not the architectural values of the building. The outside as seen in figure 6 one can see that the balcony railings were gilded in gold decoration as the sun makes this belatedly to see. Marble is also used on the faade of the building but it is mainly decorated in gold. Rich vibrant colours can be seen throughout the palace as seen in figure 7 of the Queens Chambers.Section B Interior DesignAlthough the Baroque era contributed to the great buildings we see today, one cannot forget about the interiors. Although lavishly decorated the interiors are very well designed to accommodate certain aspects. Architects shoot to think alike(p) that in order to obtain a good sense of what works and what does not. I believe interior design does very hint about it along the lines. We design what we think the client would like and then get an idea if the client likes it of not, if not we simply make a few changes to get a better feel an d a better view of what they want. It is the same now as it is then. Interior designers design the space in which the client will be in every day. It requires a great deal of insight and a knowledge about a person, one might consider reading your client by talking to them, when you do that you can get better ideas. Simple designs often make better designs in these days however in the bypast if it was big, spacious and contained lavish decorations it was classified as good.ConclusionSo from face at the baroque architecture one can say that it played a great role in the design of buildings today. Many heap who obtain an over and above salary sometimes have one or two rooms that give remembrance to the baroque style. It was for certain lavish, dynamic and over the top decorations were definitely a bit oftentimes for todays modern society.BibliographyTansey, R.G Kleiner, F.S. 1954. Chapter 24. Gardeners Art through The Ages tenth edition. United States of America Ted Buchhloz. Pa ges 816 904.Gardener, L. Chapter 10. Gardeners Art with The Ages fourth edition. United States of America G.Bell and Son Ltd, London. Page 397 onwards.Honour, H Fleming, J. 1982. vocalism 3 Chapter 13. A World History of Art. United Kingdom RB Macmillion. Page 426 onwards.Wikipedia. 2008. Baroque.online.Accessed howling(a) 20, 2008. acquirable from world wide webVersailles. online. Accessed revered 20, 2008. Available from world wide web History of Baroque Architecture. online. Accessed August 20, 2008. Available from world wide web Baroque Age. online. Accessed August 20, 2008. Available from world wide web